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« Le journal est une boutique où l’on vend au public des paroles de la couleur dont il les veut »

Illusions perdues

« Le journal est une boutique où l’on vend au public des paroles de la couleur dont il les veut » condenses Claude Vignon’s indictment of journalism into a commercial image: newspapers adapt their language to the opinions customers want to hear. The metaphor makes the press not a source of illumination but a marketplace where ideas are packaged for sale and partisan advantage.

The Newspaper as a Shop

Claude Vignon endorses Émile Blondet’s description of the newspaper as a shop selling words in whatever color the public prefers. The color is figurative: newspapers flatter existing opinions instead of trying to enlighten their readers. Vignon sharpens the point with the imagined example of a newspaper for hunchbacks, which would praise their beauty, goodness, and necessity every morning and evening. Its absurdity exposes the principle beneath the business model: a paper can make any position seem persuasive if that is what its audience wants affirmed.

From Vocation to Commerce

The expression belongs to a broader account of journalism’s corruption. Vignon contrasts the newspaper’s former status as a vocation with its present use as an instrument for political parties; what begins as a means becomes a business, and, in his account, business operates without faith or law. The shop metaphor therefore describes more than biased phrasing. It presents the newspaper as a commercial intermediary whose product is tailored speech, with public approval and partisan usefulness taking precedence over independent judgment.

Collective Harm and the Writers Who Pay

Vignon extends the criticism from the institution to the moral consequences of its work. Newspapers, he argues, can injure ideas, systems, and people while responsibility dissolves among those who produce the harm: the paper acts atrociously, yet no individual feels personally stained. The accompanying image of writers exploited by those who speculate on their talents gives this collective mechanism a human cost. Vignon says that he and Blondet possess feeling as well as intelligence but lack the ruthless qualities of exploiters; their brains will be consumed, while they themselves are blamed for misconduct. In that context, the newspaper-shop formula links the sale of audience-pleasing words to both unaccountable public damage and the extraction of intellectual labor.